
Hello humanoids, welcome to the brand new show
ROBO CAST 23 – ELECTRO SHOCK TREATMENT
The best original electronica from around the globe is now ready for your listening pleasure.
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Here's a list of the fantastic artists for this show: -
ARTISTS / TRACKS / LINKS
JAHSEE - Noaho
http://www.myspace.com/mjahsee
I am one human male who would like to find more timelessness and its artistic distillation. I play the piano very classically to feed myself, and yes, there are occasionaltranscendent moments to behold. But alas, I am like too little butter over too much toast. The music on this page comes from the few spare moments I have found, and serves to calm and catapult me. If you, in listening, should feel the urge to offer critique or proposition, I'm all ears. Well wait. I guess I'm partly eyes, and I have a tongue too... Ok, we'll compromise. I focus as many senses on your comment as you include in its construction.
NASH THE SLASH - Thrash
GAS - Microscopic from GAS 0095
About DisinVectant - "A fantastically eerie soundtrack for some sort of an electronic wasteland...makes you feel like you stumbled on a drunken poetry reading in the post-apocalypse." Tim O'Keefe, Brown Student Radio ( "Their sound is the sound of alienation. Or, at least, outsiderdom. It's dark and machinistic and it reeks of fear and disaffection and frustration. Of dirt. Of grime. Of rot and decay. Of things that need DisinVecting...black like a powercut, through circumstance not calculation" (Jimmy Possession, robots+electronic brains) "...sounds like a city eating itself in slow motion while a thousand trains go rusty at double speed." (Vincent Drummond) "...harsh, atmospheric compositions...an almost excruciating heaviness...a delivery that's screaming epic, all the while retaining a bleak grittiness that marks a real soundtrack for a coming wasteland" (George Mouratidis, Connexion Bizarre) "sinister electronics, heavy breaks and spoken word processed vocals. Dark stuff with powerful lyrics and an almost apocalyptic feel. Some where between abstract hip-hop and abstract electronica." (Ant, Our electronic music is in the astral psychotronic style inspired by the Universal One as we continue on our path of illumination. Music is universal vibrations both physical and non-physical and we hope our music brings some peace, joy, and unity to the world.
Music is universal vibrations both physical & non-physical", (Roy G., 2007) The illuminating sounds of Roy G and Inner Light, categorized as astral psychotronic music, has embraced the ears of music lovers from all music genres since 2007. The group's unique style of music has transcended to music lovers of all ages and cultural backgrounds from Dallas, Texas based recording artist Roy G and Inner Light. The foundation of this universal sound derived from the group's genuine passion for music and even stronger passion to expand a legacy of music unifying people all over the world. Artistic influences include legendary greats Louis Armstrong, Frank Zappa, Marvin Gaye, The Beatles, George Clinton, and Pink Floyd. Having a strong Internet presence via Myspace.com and the Roy G and Inner Light website http://www.fourpyramids.com, has allowed the expansion of this music genre to appeal to listeners nationally and internationally. Selections from the latest CD release titled Telepathy have been featured on internet radio shows by Robo Cast NetRadio and Brumcast!! The Sound of the UK Midlands with others to follow. Released in April 2008, the group's latest CD titled Telepathy continues to travel creative heights with such songs as Scroll of Time, Deja Vu, and Vortex. Roy G and Inner Light is now showcased on iTunes, CD Baby and as always... http://www.fourpyramids.com. Currently, Roy G and Inner Light is reaching out to people around the world with plans of a European tour in late 2008 or early 2009. The group is pursuing avenues for its music for all types of media from independent radio shows on the internet to expanding into films.
Roy G and Inner Light are donate 10% from the sales of our latest release, Telepathy, to charity. They are looking at several charities and options now and we'll soon announce the charity that will receive the money. The money will be given at either 6 month intervals or on a yearly basis. They are open to your suggestions so please contact them via the website or MySpace page. Please purchase a CD and know that you are giving something back to the world.
About The Antique Toys We couldn't quite explain who we were... but thanks to one of our fans, now we can: Client are one of those groups that purposefully maintain an enigmatic aura. In the beginning, the dynamic duo of Kate Holmes and Sarah Blackwood even went so far as to hide their real identities behind the two faceless codes of “Client A” and “Client B.” “We wish to be judged on basis of our music, and not our looks. Furthermore, we have quite a bit of fun flirting with anonymity and androgyny.” Their custom-tailored look is reminiscent of uniforms - part Eastern European stewardess or secretary, part dominatrix. The aesthetic reflects the group’s central themes of voyeurism, the underbelly of the city, the dark side of life. Client’s sound could best be classified as minimalist Electronica, solidly rooted in a classic song writing tradition. Influenced by bands like Joy Division, Kraftwerk, DAF, The Smiths and the sound of the English North, the band is the perfect counterpart to today’s “feel-good” Europop-muzak. Client were formed in 2002. For their self-titled debut, they signed to Andy Fletcher’s Toast Hawaii label. The production was dominated by strange beats that sported an alleged naívité, cynically intelligent lyrics and a cold, minimal vocal style. It was met with very positive receptions from both the press and the public and provoked strong resonances on part of the media and art scene. One German admirer was promptly inspired to create an art installation based on “Client”, while British film maker Nick Love used the single “Rock and Roll Machine” for his movie “Football Factory.” Two tracks also featured in the U.S.- TV- shows Nip/Tuck and CSI. The second album “City” was co-produced by Joe Wilson (Sneaker Pimps). The first single “In it for the Money” was a sharp reaction to the cynicism inherent in Pop Culture and became an instant Electro-classic. The b-side “Down to the Underground” featured guest vocals from Pete Doherty (Babyshambles, The Libertines), while the album had guest-appearances by Martin L. Gore from Depeche Mode and Carl Barat (The Libertines). Numerous tracks have also been licensed to film and TV. Playing live has always been a top priority for Client … and there are only a few bands that get the chance to kick off their career in front of a really big audience. In 2002, they debuted supporting Depeche Mode in Europe, playing to crowds of more than 15000. In 2003, the band embarked on three European tours, playing in France, Great Britain (supporting Karl Bartos (ex-Kraftwerk)), Germany, Scandinavia, Spain, as well as Russia and Mexico. Kate and Sarah also became resident DJs of their own club “Being Boiled” at the Notting Hill Arts Club. In May 2004, they played another UK tour, this time opening for Mick Jones’ (ex-The Clash) and continued playing live all over Europe, often alongside DJ Andy Fletcher . It is thus hardly any wonder that Client have the reputation of being one of the hardest working music acts in the UK. In January 2005, the single “Pornography” (with Carl Barat) was released and instantly charted at number 22 in the UK single charts. Client also played numerous shows that year and supported Erasure on tour as well as visiting China for the first time. In October, Client A and B found a permanent third member in Emily Mann (Client E): bass player, model and, measuring in at 1,84m, quite a presence. They noticed her at their club and were instantaneously impressed by her rock’n’roll-attitude, as she had passed out on the floor drunk! Emily added the final piece of the jigsaw to Client. Given the stylish presentation and intriguing charms of the band, it was only a matter of time, until the world of fashion would cast an eye on Client. Thus, the Italian issues of Vogue and Vanity Fair booked them for photo shoots and the Italian fashion design company GAS had them walk the catwalk. And, most recently, the German FHM featured a photo shoot in their November 2006 issue. Client also design all their own merchandise under the “ClientArt”- logo and have worked really hard at their internet presence since the beginning... being one of the first bands to realise the marketing potential of a global brand. They oversee all their own artwork, design and image . The year 2007 saw the trio as energetic as ever. After touring with The Pet Shop Boys, Mesh , The Charlatans and Covenant, Client signed with the German independent label Out of Line in late 2006. The single “Lights Go Out” was again very well received by press and public and the album “Heartland”, produced by Youth (The Verve, Primal Scream ) and Stephen Hague (New Order), followed in early 2007. Two more hit-singles, "Drive" and "It's Not Over" were released from the album and the ladies have now prepared "Untitled Remix", a CD jam-packed with the coolest remixes, unreleased tracks, rarities and collaborations from the "Heartland"-era, due for release in April 2008. Nothing can stop these Electro-ladies who have rightly earned their reputation of not only being the coolest all-girl-band on this planet, but also the hardest working one.
http://www.nashtheslash.com
http://www.myspace.com/officialnashtheslash

About Nash –
Nash the Slash has been creating his unique concept of sound and vision for over twenty years. His first live presentation of music to film was a performance to the surreal silent film Un Chien Andalou at the Roxy Theatre in Toronto. Nash the Slash was born of silent film. The name comes from a killer butler encountered by Laurel and Hardy in their first film, Do Detectives Think (1927). Nash the musician has gone on to create the music scores for such recent cult films as Roadkill and Highway 61, both directed by Bruce McDonald.
Between experiments with film and music, Nash the Slash became a familiar name to music fans through his association with the pop electronic group FM. Having co-written the hit songs Phasors on Stun and Just Like You, Nash established his credibility as a versatile artist. His talents have been recognized with a U-KNOW (later called CASBY) award for best instrumental artist as well as a Juno nomination for best new male vocalist. Nash's profile was raised on the international stage when he toured the world with the likes of Gary Numan and Iggy Pop. Other high-profile shows include opening for The Who at C.N.E. Stadium in Toronto to a crowd of 70,000 people and opening for The Tubes at a sold-out Maple Leaf Gardens.
Nash has recently recorded new music for the silent film classics The Cabinet of Dr. Caligari (1919), The Lost World (1925), and most recently his highly successful soundtrack to Nosferatu (1922), which he performed at the SKIF Music Festival in St. Petersburg, Russia. Nash continues to do unique film scores for other silent film classics, such as the original Phantom of the Opera.
Nash has released numerous solo albums, the best known being Children of the Night with the hit single Dead Man's Curve. Other albums include Decomposing, the first record playable at any speed (reviewed in Playboy Magazine, 1982); and American Bandages, a collection of all-American classics such as We're an American Band, Who Do You Love, and Psychotic Reaction.
You can find a detailed biography (1975 - 1979 / 1980 - 1989 / 1990 – 1999 / 2000 - ????) on the website http://www.nashtheslash.com/news/
New CD was released in March 2008!
IN-A-GADDA-DA-NASH

삅♴䖋诼ᡈ燿(ၵSᱰ䶋儈䛨?㯿࿃濾>
A collection of old cover songs for a new generation! Nash won't say why he did these songs, and few people can name the original artists. Suffice to say, the songs all have that 'Nash Touch' that brings out the raw essence of each track.
The songs are being added one at a time on http://www.myspace.com/officialnashtheslash Get a sneak preview of In-A-Gadda-Da-Nash now!
Coming Soon - Re-mastered ‘Blind Windows’. Nash's first recordings (1978-79) pumped to the max!
Nash Is Hot For Cold Blood!
Nash is currently composing the music soundtrack for a new crime re-enactment TV show called Cold Blood'. There will be 10 one-hour episodes and this project will take at least six months to complete. The show premieres in Canada on Global and in the UK on Channel 5 in September 2008.
http://www.microscopics.co.uk
http://www.myspace.com/microscopics
The new Gas 0095 CD comes with reversible cover artwork.
When you’re feeling introspective or listening to the moodier and more ambient tracks, you can use the original solitary jellyfish cover…

Gas 0095is available for pre-order and set for release on 30th June. All pre-orders will come with a special and limited gift, we will give more details on the blog in the coming days. Also for instant gratification and to save you time converting for your computer and mp3 player, it will come with the 320k mp3 version of the album as an instant download when you purchase the CD. Buy CD now


THis is a remix of Spanish techno/electronic producer/dj "Svreca" aka Enrique Manna remixed by Birmingham's clinical audio fetishists "DisinVectant"- (www.3pinrecordings.com).
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Recliner Vol 1 - £10.00 + p&p
Available 19th April direct from the Toffeetones Store- HERE Recliner Vol 1 - £10.00 Available 19th April straight off the shelf from Recycled Records, Shrewsbury- HERE
Recliner Vol 1 - £10.00 Available 19th April straight off the shelf from Song & Groove, Stafford- HERE


For FULL details including all the artist links visit the Robo Cast website –
http://robocastradio.podomatic.com/enclosure/2008-06-13T02_05_29-07_00.mp3
